The comedy had to come elsewhere there. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. Rated R "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. Kevin is a defiant baby who screams incessantly but never around Franklin. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. Franklin's story is simpler but in some ways I think it's worse. ET. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. Did your prior experience help prepare you for some of what to expect on Quantumania? He can't understand her, but don't you suppose he understands her dislike? What if she knew while being pregnant that she is about to give birth to a monster? This is the fear of parenthood. In any other movie, that would be child abuse. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". This review of the film was originally published on December 22, 2011. Matters worsen when she becomes pregnant with a daughter. Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. An excellent movie with great characters, amazing development, and astounding use of cuts, foreshadowing, and visual storytelling. Any spoilers should be placed in spoiler tags as such. Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. Swinton told me of a line in the script that wasn't used, wisely, I believe. With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. So, his dressing sense is perhaps not an indictment of his bitterness. Eva's elation is reflected in the room's warm yellows and flowers on the bedside table. The point here is not to understand Kevin at all. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. This cycle is beautifully written and acted by Swinton, so much that you can't help but empathize with her despite her own assurances that every drop of blood her son ever spilt is on her hands, an image weaved throughout the movie. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. His eyes dont give away any sense of remorse or guilt. When he breaks his arm? Although these two terms are often used interchangeably in colloquial use, there are some mild differences between these two categories of personality disorders. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. But Eva is incapable of showing him the love that he deserves, even after trying her best. She makes one feel her strung to the breaking point tension in scene after scene. She's like a fish out of water. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. ROHAN: Was there anything major cut that you remember shooting? "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. He was exactly right. Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. Shortly after, Eva goes back to the house. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. The film does not show us how Kevin presents the eyeball to Eva in jail. By. Nature refers to how they were born, while nurture refers to how they were raised. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? And so is Eva. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . Kevin is seen to be wearing short clothes most of the time, like when Eva takes him out for mini-golfing. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. But when he just sits there frowning, she expresses real disgust towards him. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. Being a child somehow means they're inherently innocent. Ramsay builds on Shriver's idea of internalised blame with how Eva sees herself following the tragedy. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . On one prison visit, he describes her throwing him at a wall and breaking his arm as "the most honest thing you ever did.". Despite the fact that Eva is a travel writer of particular renown, she is bound by an understanding of mother/child relationships that do not correspond with her own relationship with her son. At one point, she mockingly. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. KatyO'Brian (Agents of S.H.I.E.L.D. As he grows up, we see him in a blue t-shirt, and consecutively, in a bland white one. Site Map | We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. American release: January 27, 2012. An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. The real monster is expecting nothing less than unconditional love. Go. It asks, "who is to blame when something horrific happens?". Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. It's why vandals paint Evas house in red, and neighbours take out their anger on her. So is Amelia in The Babadook. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Ramsay improves on Shriver's portrait of a mother with an honesty that leaves us thinking about Eva long after the credits roll. KATY: Oh, I'd love to come back. As a baby and toddler, he is merely colicky, irritating and would try the patience of a saint. While we are not sure whether Kevin consumed the eye itself, we know from the book that Kevin keeps Celias glass eye as a souvenir after assailing her. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. Privacy Policy. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. KATY: We had this whole scene where we're all cheering at the end kind of thing. Kevin appears in a short sleeve red shirt as a toddler. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. Use the boards for extended discussion. You know, it's all fun and games until you really understand that every single decision that you make impacts everybody. Ironically he becomes a miniature doppelganger of her, all sharp angles and androgynous countenance lying in direct contrast to the lovably rounded and craggy features of his father. When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Don't comment just to troll/provoke. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." The second is Kevin's bedroom. His son is who Franklin says he is, and anything else is just invisible. Instead, maternal ambivalence is coded as horror. So what about Franklin? otakucode 11 yr. ago Ambivalent toward motherhood, Eva struggles to care about her increasingly cruel son, Kevin (Ezra Miller). Crypto There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. In You Were Never Really Here, Joaquin Phoenix was a hitman beset by PTSD. Now I'm not so sure." He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. We see this throughout Kevin's early developmental journey. The story revolves around a family of four, but the main focus is on the relationship between the mother (Eva, played by Tilda Swinton) and the son (Kevin, played by Rock River, Jasper Newell and Ezra Miller). Art and Divine Beauty: An Antidote to the Winter Blues, The Prodigal Son: How to Overcome the 3 Lies We Tell Ourselves. It's been 10 years since its world premiere at Cannes, and we need to talk about what made it such a haunting meditation on motherhood. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. Is it possible for her to move on from something so traumatic? KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. None of this is done in a straightforward fashion. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. However, just the neglect of his mother would not amount to the cathartic finale. this is the best pro-antinatalism PSA out there . When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. And of course from there, we learn he perpetrates a mass killing at a school. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. All logos and images used on this website are registered trademarks of their respective companies. Cookies help us deliver our Services. Firstpost - All Rights Reserved. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. Jake Martin, visit our special Oscars season blog, Movie Minister.. Eva believes that some defect of maternal affection had something to do with Kevin's development. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. Children seldom get that attention, though. We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. With Franklin there is no conflict. and our Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. So, I think it'd be really, really cool to see if they came up with something else. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. Will she continue living in their hometown, where she's harassed by locals who blame her for the deaths? While the film isn't as explicit as the book, both versions of Eva are grappling with Kevin's final answer as they wonder if it's even worth feeling weighed down by the question of responsibility. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. An early scene shows Eva apparently participating in an orgy in a lake of blood. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. For full Oscars coverage and commentary by its reviewer, Fr. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. She sits in a blank daze in the hospital room. In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. Where do you think Jentorra's story goes next? Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. But we can safely assume that Kevin did not literally eat the eyeball. Sometimes Zuzu's petals are all you have to hold onto. A young MAN and WOMAN are asleep in a tent. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. Kevin grows up to be ever more distant. Community Guidelines | She mentions that she believes he'll be released in five years. While Ant-Man and the Wasp: Quantumaniadidn't bring back several mainstays of the wider Ant-Man family, the film did introduce a number of new allies, namely Jentorra and her Freedom Fighters. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. While Eva is growing increasingly distrustful of Kevin, Franklin sides with his son and their marriage takes a hit. When the teenage Kevin surprisingly assents to a mother/son date, Eva is hopeful for the opportunity to cultivate a deeper relationship. Eva, in turn, becomes more protective of Celia. The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). Jokes are fine, but don't post tactless/inappropriate ones. In reality, Kevin has an acquired taste for sadistic vengeance, and the lychee symbolizes Celias eye in the scene. So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. However it wasn't in the film I watched today and I can't find the scene anywhere..did I just imagine this scene?! 112 minutes The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. Is Kevin a sociopath or a psychopath, then? Some animals sometimes know that something is not right with fetus and can even abort it voluntary or when it is born, they abandon it. Shortly after the incident with Celia, Kevin and his parents have a confrontation at the dining table. His reply: "You don't want to kill your audience.". Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Maybe he is subtly telling others that his mother does not take care of him. Not sure I get the fuss about this one. We Need to Talk About Kevin: Directed by Lynne Ramsay. Written by Julia Wolf. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. Eva often looks like she's in a state of shock. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). It must be something like this to have a nervous breakdown. Only with her because his father was at work whole day and saw his son for like an hour a day. Eva was never allergic to being a mother of course. The film depicts him as a psychopath beyond redemption. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? Little matters like washing blood red paint off the windows of her diminished home that angry residents have vandalized, become rituals of self-abnegation and penance. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. Finally. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. The most cynical, nihilistic, misanthropic films ever made. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. The truth to motherhood is a harsh one. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. The film moves without any pattern between past, present and who knows when. This is why, in the final scene, he no longer knows why he performed the massacre. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. Is her husband as zoned out as he seems or is that only her perception? 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